Academia.edu

Papers & Presentations

Egbe, A., Op den Kamp, C. (2016)“Thomas Edison’s Kinetoscope and the Campaign to Control the Film Industry” Besides the Screen Geometry/projection/performance Conference, Coventry University 20 – 22 July, 2016

Egbe A. (2016) “Mnemosyne Moving Image Archive: Ethics and assemblage as a radical archival practice”, Doing Women’s Film and Television History III Conference, 2016 Conference, De Montfort University, Leicester, UK, May 18 – 20, 2016

Egbe, A. & Novakovic, R. (2016) “The Cinemembrane” Radical Film Network Unconference, University of Glasgow, UK, April 29 – 2 May 2016

Egbe, A. (2015) “Letter from an Unknown Woman: Moving Images, Meaning Making and Transmedia Practices”, RIMAP Seminar Series 2015/16, University of Bedfordshire, UK (2, December)

Egbe A. (2014) Experiencing Reality through the Optical Printer – International Lisbon Conference on Philosophy and Film, Faculty of Letters, University of Lisbon, (5-10 June, 2014)

Egbe A. (2014) "Technology, Exchange and Flow: Artistic Media Practices and Commercial Application" — Advertising and the Dynamics of Cultural Exchange Managing Popular Culture? Emergence, Strategy and the Development of Popular Phenomena, Karlshochschule International University, Karlsruhe (30 January – 1 February 2014)

Egbe A. (2013) Media Archaeologies and the Moving Image Archive. Public Dialogues 2013: ‘At the Interlude: Between Body, Artifact and Discourse’ Transtechnology Research, Plymouth University, UK, (12-14 July)

Egbe, A. (2013) Notions on a radical moving image archive practice as a problematic [poster presentation]. Lure of the New, Cognition Institute launch and conference, University of Plymouth, Plymouth, UK. 21st March

Erasmus IP workshop, Gdansk University of Technology, 9-22 October 2011 ‘Art & Science – Synergy of Technology and Art in the City Spaces’ – Workshops with artists, designers, architects and researchers

Egbe, A. (2012) Towards a structural materialist Archive: the (Im)material aspects of duplication. Channelling the Film Archive: Policy, Material and (Re) use Panel, Besides the Screen, Conference, Goldsmiths College, University of London (1-2 December)

Egbe, A. (2011) National Review of Live Art Archive. Re-make/Re-model: Performing Documents, Spike Island, Bristol, UK, 27 September

Egbe, A. (2011) National Review of Live Art Archive. CAiRO (Curating Artistic Research Output) Summer School, University of Bristol, UK, 29-30 June

Egbe, A. (2010) Spaces of Historical Illusion: Moving Image Document as Panorama. In: Blassnigg, M., Drayson, H., Punt, M., Vines, J., Zics, B. 2010. Transtechnology Research Reader 2010, Postdigital Press, UK

Egbe, A. (2010) Approaches to Representing the Unrepresentable in Moving Image Archives British Comparative Literature Association XII International ‘Archive’ Conference, University of Kent, UK, 6 July 2010

Publications/Reviews

Egbe A. (2016) [Review] Avant – Garde Museology, Leonardo Reviews, May 2016

Egbe A. (2016) [Review] Writing and Unwriting (Media) Art History: Erkki Kurenniemi in 2048, Leonardo Reviews, May 2016

Egbe, A. (2014) [Review] Between the Black Box and the White Cube: Expanded Cinema and Post War Art by Andrew V. Uroskie, University of Chicago Press, 2014 Leonardo Reviews

Egbe, A., Woodward, M. (2013) The (Im)material Aspects of Film Duplication: The Optical Printer as a Philosophical Apparatus, In Blassnigg, M., Drayson, H., Punt, M., ed. Transtechnology Research Reader 2012/2103: Deep History, Contingency and the Sublime, Postdigital Press, UK

Egbe, A. (2010) Spaces of Historical Illusion: Moving Image Document as Panorama. In: Blassnigg, M., Drayson, H., Punt, M., Vines, J., Zics, B. ed. Transtechnology Research Reader 2010, Postdigital Press, UK